Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called "homogeneous, empty time" founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple "immiscible temporalities" that strain against the modern concept of homogeneous time. In this wide-ranging study-encompassing Asian American video (On Cannibalism), ghost films from the New Cinema movements of Hong Kong and the Philippines (Rouge, Itim, Haplos), Hollywood remakes of Asian horror films (Ju-on, The Grudge, A Tale of Two Sisters) and a Filipino horror film cycle on monstrous viscera ...
Vielfach anhand von Texten aus den Tagebüchern und anderen Werken Sören Kierkegaards beschreibt Guardini die destruktiven Kräfte, aber auch das Große, Kostbare und Hohe, das aus der Not der Schwermut aufsteigt. Darüber hinaus werden in diesem, bereits in mehreren Auflagen erschienenen Band die auch heute in vielen philosophischen und theologischen Strömungen wirksamen Grundbegriffe der Verzweiflung, der Krankheit zum Tod, des Paradoxen tiefsinnig gedeutet, aber auch in ihre Grenzen gewiesen.
Product details
- Paperback | 107 pages
- 118 x 180 x 12mm | 112g
- 01 Sep 2008
- Topos, Verlagsgem.
- German
- Nachdruck
- 9783836705110
- 3,659,019
Download Vom Sinn der Schwermut (3836705117).pdf, available at ebookdownloadfree.co for free.
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