Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called "homogeneous, empty time" founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple "immiscible temporalities" that strain against the modern concept of homogeneous time. In this wide-ranging study-encompassing Asian American video (On Cannibalism), ghost films from the New Cinema movements of Hong Kong and the Philippines (Rouge, Itim, Haplos), Hollywood remakes of Asian horror films (Ju-on, The Grudge, A Tale of Two Sisters) and a Filipino horror film cycle on monstrous viscera ...
WITH AN INTRODUCTION BY MALCOLM BRADBURY
Denis Stone, a naive young poet, is invited to stay at Crome, a country house renowned for its gatherings of 'bright young things'. His hosts, Henry Wimbush and his exotic wife Priscilla, are joined by a party of outlandish guests whose intrigues and opinions ensure Denis's attemps to woo the young Anne Wimbush are met with every possible obstacle.
First published in 1921, Crome Yellow was Aldous Huxley's much-acclaimed debut novel.
Product details
- Paperback | 192 pages
- 129 x 198 x 12mm | 158g
- 05 Feb 2004
- Vintage Publishing
- Vintage Classics
- London, United Kingdom
- English
- 0
- 0099461897
- 9780099461890
- 92,198
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