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Translating Time : Cinema, the Fantastic, and Temporal Critique (9780822345107)

Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called "homogeneous, empty time" founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple "immiscible temporalities" that strain against the modern concept of homogeneous time. In this wide-ranging study-encompassing Asian American video (On Cannibalism), ghost films from the New Cinema movements of Hong Kong and the Philippines (Rouge, Itim, Haplos), Hollywood remakes of Asian horror films (Ju-on, The Grudge, A Tale of Two Sisters) and a Filipino horror film cycle on monstrous viscera ...

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Release Date: 2013-06-27

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Black people were present in 17th-century Holland, both in society and in art. This subject has long remained in the shadows, but wrongly so. Rembrandt and many of his contemporaries made magnificent works of art that depict black people. Those works have been collected in this book. The biggest surprise: the later stereotypes of black people had not yet become dominant. Painters portrayed individual black models from life, with all their personal characteristics. Furthermore, black people were not always secondary figures in minor roles, but sometimes formed the main subject of the art work. This book explores the conditions that gave rise to these remarkable works of art and the reasons the public image of black people changed from about 1660 onwards. It tells the stories of artists who aimed to capture the visual world, the impact of transatlantic slavery, and a small community of free black people in Amsterdam's Jodenbreestraat. Product det...

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