Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called "homogeneous, empty time" founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple "immiscible temporalities" that strain against the modern concept of homogeneous time. In this wide-ranging study-encompassing Asian American video (On Cannibalism), ghost films from the New Cinema movements of Hong Kong and the Philippines (Rouge, Itim, Haplos), Hollywood remakes of Asian horror films (Ju-on, The Grudge, A Tale of Two Sisters) and a Filipino horror film cycle on monstrous viscera ...
From the book's signature "toolkit" approach to the new chapter on the Environment and Sustainability to the accompanying videos and interactive learning tools, all aspects of Ken Guest's Essentials of Cultural Anthropology work together to inspire students to use the tools of anthropology to see the world in a new way and to come to class prepared to have richer, more meaningful discussions about the big issues of our time. Are there more than two genders? How do white people experience race? What defines a family? Is there such a thing as a "natural" disaster? What causes some people to be wealthy while others live in poverty? Product details Format Mixed media product | 576 pages ...